An agreement, a rule, a code, an ancient oath –

or perhaps a modern ritual.

Time Code 9733 occurs in an imaginary place that, depending on the viewer's perspective, may be in the present, the future or the past. Archaic pictures, old myths, scraps of sound, Facebook entries, loose phrases and philosophical rudiments meet each other by chance. Everything is fleeting, insignificant, and without context or continuity.

The stage becomes a microcosm through the use of diverse cameras – all differently positioned and zoomed. Some actions are shown in detail, others are displayed oversized so that even the most delicate, incidental contact appears unrealistically large on monitor screens that both witness and document the events on stage.

Five performers execute an elaborate arrangement of movement in two contrasting rooms. One space resembles a modern adyton, the dark and mystical sanctuary of a temple; projections of media images, film fragments and live recordings light the space. The other room is like a bright and airy palace that allows fort he unfolding of the performers' inner worlds in concrete, immediate gesture.

The performers and the public alike move between these two spaces as in an exhibition, passing through a cosmos that speaks of power relations, dependencies and violence in a world of mediated and immediate experience.